Monday, July 9, 2012


House of Vanishing Doors
A breeze came through the window
In a small vacant farm house very far
From town as the soft transparent
Cloth certains danced. A chair and
Table nearby held an open book; pages
Turning themselves as if alone by the
Force of what was searching from the
Outside coming inside, intermittently,
At my reading pace. You see, I once
Lived here in the flesh of events with
Passion like others had done so when
Our fields were full of cotton and trees
Had deep water wells for their leaves To grow cool shades. And the back bed
Room at times became silent as things Stood still for moments. Again,just now,
I can recall one summer day like a dream Written down, the long letting go, a closing
That haunts me since, as I was the one Who died here; and people were walking,
Leaving like in slow motion while the Landscape dried up as the seasons moved
On. Still, I remain looking out the stark Window of migrating birds and dirt roads.
Watching them going, changing, disappearing Into some kind of a lonely series, never ending.

Stanley Morris Noah

The Fall of Berlin, 2 May 1945

Russians are at the Fuhrerbunker, now. Where is A. H. and his new wife, Eva?
In this hour the dirty work had to be done. Up came the six bodies of Goebbels'
murdered young children. Killed by their
parents, Magda and Joseph. Placed on
the grounds side by side. The broken, bent burnt, their eyes open, looking at nothing.
The cold objective camera moving, rolling slowly did a good job filming each child.
Each the subject of what remains in a total war. After identification the duty was over.
It had been very emotional for some, others just a methodical dreadful process. Then the
Russians, framed in black and white, turned, lit cigarettes and disappeared. In long days
that followed there was the clean-up, brick by brick and shovels. Street cars and rail
came back. Outdoor cafes opened with the smell of coffee and flowers. Retail shops, too,
had the latest apparel. Then, all of a sudden it was 1950. The Fuhrerbunker! Where is it?

Stanley Morris Noah 

A War Film Documentary

Stars are falling while people are leaping from shore cliffs of Okinawa, April 1, 1945. Americans now on the beach with gCfthering hours. Civilians
were told the invaders are red
horned demons. The horror. The floating corpses delicti of lies in motion, up and down with every tide, tides coming
in going out, balanced by the timing of the moon's forever indifference, whimsical clock. Bodies beating on sharp rocks
like dead fishes. I have seen
this event many times in my studies. The one woman standing a breath a moment, the letting go. And then I close my eyes. Don't want to
see the divine wind and waves again. Don't want to see the inevitable pungent demise. See mother with child, dangling all the long way down.

Stanley Morris Noah 

 
Last Train Leaving Berlin, 1-May-1945

We must hurry, tall mother
told me. Russians are like
ants every where, more and
more, through streets, buildings,
houses. We must get there
and I did. Slowly, the big black
train moving away. I saw many
staring, standing with hopeless
faces, screaming into a profound
memory. Central Station anew,
1972. 1\10 need to rush now. But each step I could hear skeletons
breakable, bones cracking deep beneath----it was the old world. You Know, they just found Martin
Bormann's skull here in the levels of time. Broken glass vial of cyanide between his teeth. Did
I see him in the crossing, then? Where is mother?-------Mother! The child's voice inside me asked.

Stanley Morris Noah

What the scientist say about ghost

Ghost Are dead people who refuse to lie down. They can walk through walls. But you only see Them coming through doors or already in your Room. They can't make a sound or talk although You are not completely sure.
They'r6!! Invisible but some how you're able to see them Clearly during the night hours and not in the Day time. They are intruders in the house though You know itto be their home long before your Arrival and ownership.
You will Venture into every room in the house except the attic; Thinking that must be where they got murdered or Have secrets there as if it's a sacred place of the ghost In residence. You don't want to offend as they might Haunt you to leaving the house you have now desired And love.
Ghost, according to scientist, Never vacate the premises because they would become lost among the unfamiliar. It's not a good idea to Refurbish your house, scientist say, as this would make Them disorientated. It's a transgression against their Serenity and sovereignty.
They have become empirical in your Mind --not in your closets. But even this is still an on going Intrinsic investigation. And if they turn out to be real and Externally true, don't panic if you hear things shifting in the Night or something missing from the kitchen. Remember, It's their house too. 

Stanley Morris Noah

A little Math Before and After Defenestration

Mr. Finndock was a New York City lawyer with a young and beautiful wife. He was middle aged, about 50ish. And had an office on the 9th floor not too far from Wall Street near the stock exchange. In fact he was in walking distance; and there waiting for him was his destiny. So in the past few years of trading stocks he had become quite successful; it also had first grown into an addiction, then an obsession. Even to a degree where he once said to himself that playing the stock market beats great food and sex. To Mr. Finndock, the action of buying and selling was like art's highest form of expression, even if it meant being reckless at times and even if it meant doom itself. His account now was worth $454,000.00.

Then the impossible happened that October day in 1929. The market crashed and thousands lost millions of dollars in one or two days. Mr. Finndock's stock broker called to give him the bad news. He had lost everything, the $454,000.00. For Mr. Finndock, it went from surreal to shock and finally to despair, all within minimal minutes. His whole life now felt like a financial crucifixion. Mr. Finndock went rushing full speed out the window and nine storys down without making a noise (suicide victims never yell on the way down, bet you didn't know). Two days after Finndock's demise, his widow received a phone call from his broker. He apologized and explained a dreadful accounting mistake had been made. Finndock had not lost $454,000.00 but had made $454.00. One month later, Finndock's widow married his stock broker, Mr. Worthmore.

Stanley Morris Noah

 
Jesse James, Vincent van Gogh and Robert Ford
Robert was living with Jesse and Zerelda James in a rented house, St. Joseph, Missouri. The two, Robert and Jesse were friends and friends-in-crime too. At least Jesse thought Robert as a real and honest, close friend and kept Robert as company and bodY guard.

The time was morning, the 3rd of April, 1882. They had just finished breakfast of blueberry muffins, quiche lorraine and cappuccino. Zerelda then left the room carrying empty dishes made of fine china in Holland. Jesse and Robert were going over final plans for a train robbery to take place at sometime next week; and meeting up with Robert's older brother, Charley, before the caper.
After going over things, Jesse folded the maps of railroads and put them in his dress coat. Both spent the next hour cleaning their Colt six-shot pistols and exchanging small talk as they compared notches on their gun handles. Some of them dating back to the civil war, when they were raiding, killing and burning most anything that belonged to the Federal Government of Washington D. C. You see, Jesse and Robert fought for the Confederate States of America in military guerrilla units. But when the war between the
states was over in 1865, Jesse and brother Frank James and a few other members became delusional and wouldn't stop what was now considered to be criminal behavior. They were looked upon as the black sheep of "the lost cause."

It was time to go. Jesse went outside and got the horses fitted to ride and came back in. They were at the front door about to leave when Robert turned around to look at a strange painting hanging high
on the wall. "Say Jesse, where the hell did you get that colorful thing?" Pointing with his crooked forefinger,
"Oh hell, Robert-Zerelda got it at some neighborhood barnyard sell. She payed fifty cents for it. Never seen anything more colorful. Look how thick the oil is applied, and all the turbulent brush strokes, everywhere. It sort of reminds me of our own lives, where we've been and things we're still doing. Doesn't it Robert?"
"Yeah, sure does! Whose name is that down at the bottom?"
"Oh, that's some guy by the name of Vincent....err....Vincent van Gogh. Never heard of him. Maybe he's from around here. Wait a minute Robert. ,'II get a chair and clean it off before we leave." Jesse stands on the chair, takes a handkerchief.

Robert looks on and was about to say something. But then Jesse heard a gun click-bang. Jesse was shot in the back of the head. Zerelda came rushing in, screaming, "what happened, what happened?"
Robert with a guilty cloud of gun smoke just above his head replied nervously, "I didn’t do it, I didn't!"

The last conscious thought Jesse James must have had was van Gogh's painting. But exactly what was the subject in the painting? Was it sunflowers looking also like his famous big yellow sun; you could almost feel the humidity in the room, or was it an outdoor cafe scene, or sidewalks of Paris lined with green and blue poppies, or a still life, or wheat fields tumbling in the wind? Or maybe one of many self portraits-a man with flaming red hair and red beard. I guess it doesn't matter, not really, However, we are left with a phenomenon and a paradox here. Both van Gogh and Jesse James died from a gun shot to the head. Hundreds showed up to view Jesse's body. Hundreds came to his funeral. Few went to van Gogh's funeral.

Stanley Morris Noah

 
 
 

 
Black Cloud Snapshot

Pictures paint eyeless
sockets with kaleidoscope
memories of you and I

playing tuneless music under
a tombstone engraved
with a blank epitaph



sex

you say wait
i say no
you say please
i say go
you say never
i say blow
&
the boy in
his bubble
floats
towards
the mantis




Dear Dearest,

I tripped over
your flashy lash,

fell decades deep
into your eyes

where you’ve
kept me
sentimentalized.

 Andrew J. Stone

Monday, June 25, 2012

SOMEDAY MY PRINCESS WILL COME

Truly this place is filled with enchantments.
Fairies, talking animals, insects, and elves.
These will amaze the women, men, girls, and boys.
It’s beyond imagination better than puppets and toys.

What else would you ask if you have magic in your hands?
You could have anything with a wave of your wand.
A talking cat on his boots and sharp sword,
And a mirror who knows everything by its words.

I could praise a tinker who dusts us and let us fly,
With a boy whose shadows’ stays away but he never cries.
Someday I will wish on a star to find my princess.
Fight the dragons in dungeons, destroy walls and fences.

I am scared but I don’t care if I will turn into a frog.
Leap on thousand lilies and stay on a quiet pond.
Talk with fishes and crocs, but with a little fun,
Because I know I’m sure someday my princess will come.

Oh! I will build an army and fight the evil queen.
Ride my stallion, wear my armor, and lead my men.
Conquer on the battlefield and widen my kingdom.
This will be my gift to my princess the time she’ll come.


- - - - - - - - - - - - - - - -

THE EDUCATOR

Simply amazing the way she talks
while she teaches us things in the book.
Simple thought we could use in our walk,
no one compares to her as we look.

She waves her rod to shine our mind
and sooner we will shine to the inside.
She casts her words to its most unkind
but to make sure we’ll not be left behind.

Dearest she is when we share our downs,
and shares her words to avoid the drown.
Dear like a mother she puts down her crown,
sits with us and laugh like a clown.

Truly I say she is simply the very best.
A friend, a mother, who gives her caress.
True to herself though at times like a beast,
but to mold us to stand above the rest.


- - - - - - - - - - - - - - - - -

WEDDING FANTASY

Everything is ready in my mind,
the ring, the flowers, the cards,
the maids and the bridal car.
All is set except for the bride.

Maybe I’m the only who’s too excited.
The calendar’s pages has been counted,
I am too busy for myself,
I who knows when to be wed.

I have to come back to my reality
that we will not be able to marry.
I’m not for her and she’s not for me.
My bride is just a fantasy.


- - - - - - - - - - - -

I'M GETTING OLDER

I’m getting older like what we supposed to.
I’m getting weaker and less we could do.
I am not afraid to die for we will all too.
My days are counted and we are nearly zero.

I’m getting rougher but it is only my skin.
I’m getting tougher but only deep within.
I have already accepted whatever may happen.
Only the end will bring me to the start again.

I’m getting richer of my friends and memories.
I’m getting more worthy of my legacies.
I will come to rest and resting means peace,
for I fulfilled all my purposes and duties.

- - - - - - - - - -

IMMATURE

I am old now but I still do what I like,
play with my dolls and ride the bike.
I don’t mind the gentlemen and the boys,
but I still like the flowers and the toys.

So set aside the powder and the lipstick,
I still have my story books and fairy magic.
I still play with my lovely Ken and Barbie;
watch the Looney Tunes and Disney.

Yes, it’s fun when I bite my tiny fingernail
and swirl every tip of my wavy curly hair.
I still wish when the stars starts to shoot,
and enjoy the pouring rain on our roof.

So what if I still do the things I always like?
Who cares if they see me ride on my bike?
Who cares if I still play with my toys?
And… Who cares about the stupid boys?


- - - - - - - - - -

I LOVE TO DIE

I love to die when it means resting.
To leave all things without thinking.
I love to die and forget every thing.
I love to die when I know I’m nothing.

I love to die so problems will fade away.
To rest my body and mind to gently decay.
I love to die and dying is really okay.
I love to die when I’m a loser anyway.

I love to die and leave all my friends.
To know who really cares until the end.
I love to die so my works will mend.
I love to die when my story will become a legend.
 
Rey C. Jimena

Monday, June 18, 2012


Tom Pescatore grew up outside Philadelphia, he is an active member of the growing poetry/lit scene within the city and hopes to spread the word on Philadelphia’s new poets. He maintains a poetry blog: amagicalmistake.blogspot.com. His work has been published in literary magazines both nationally and internationally but he'd rather have them carved on the Walt Whitman bridge or on the sidewalks of Philadelphia's old Skid Row. 


To dream of Reality and the Outcome
We stood back-to-back
against the insane map of the stars
bordering on un-reality,
I saw every twinkling existence
the shroud of the milky way
the black holes and supernova
births, we stepped toward them
and the darkened moving away,
our footholds were hard, invisible
but concrete, space was something
else entirely, not what we'd been told,
each time we moved forward
it was like gigantic light-speed leaps,
the stars were merely illusory lights
a thumbnail of burning gases on black wallpaper,
the was the great charade, the great
universal lie,
our lives were vindicated.

 On-coming

Saw the tracks on the
wrong side of Columbus,
Vitaly had pulled out into
oncoming traffic, wrong side
of the road, heading right into
old broken down trolley River
Styx and we were next to try
and cross it, but I noticed in those
final seconds and we slid to a halt
on a patch of grass, and the faces in
the cars were watching, the headlights
blaring, the last vespa bent to the road south
before we could u-turn the bitch and
get on I-95, "Fuck, Vitaly, you
almost killed us!" Will was hammering
the dashboard, "Yea,
I admit that but they gotta put up some fucking signs,"
He's right I thought in the back seat
there weren't any signs, no signs
pointing the wrong direction.

The factory

We can find the bed forever
for whatever you want
or nothing, heaving dry promises
at the crowds, I'm full of promises
and most don't work out as I planned,
or work out for me, or ever come
to fruition,
I get caught up in making them
preparing them like a cracker
each layer folded over the last
until it's so heavy I can't lift it
and you have to chew through it,
all the flour and salt and no water
to wash it down

The scene is set after shower

Avoiding the puddle spreading out
on the desk, a piano playing some wheres
I couldn't see, the shower whining behind, I
wasted my life on the screen gladly, roaring madly—
me, who was bent to the keyboard chattering,
me, trying to rip something from my soul I
wanted to be there, whether I had to make it
exist or fuck it and pretend, me, dressed in unbuttoned
flannel shirt and torn blue shorts, me, thinking
out there into the space, out there where you are walking in the rain,
I guess, walking and looking inward burying your past,
me creating this act of blister, mortar, pound—
at the clock ticking with the water's dripping, the rhythm invading
Kerouac's voice as he reads from Visions leaning to
the piano's soothing unpredictably, as the pattern rises,
as the keys spread achingly indistinguishably forward
through perceived stop motion time, slam! Here it goes, Aw!
across gulfs of years and experience without sadness, leaving me
here, a lone fleshy brainless lump, tapping, avoiding, beaming, bleeding,
sleeping, eating, ending, forgiving, careening, caring, repeating,
watching the water dry out

 We killed them

Artists don't sit inside all
day to write and type and suffer,
they play on their iphones and macs
with dull eyes editing music files,
remixing old sounds, taking
photographs that seem
somehow older even though they
don't know why, they catch the movie
to marvel at the book (it's YA fiction)
then the next day read it on the train
cover out and facing the crowd, and
they dance at night clubs to hip-hop and
techno in the nearest up-and-coming
neighborhood, their drunken image tagged on
facebook, exchanging that for actual fame,
and remain blissfully ignorant of the truth
because artists don't think for themselves
or think at all anymore, hell,
they don't even try, because
for the most part
when their head hits the pillow
around 5am
they're plain fucking dead
and nobody gives a fuck.


Trying to get some sleep

I could hold the sky in my palm,
wipe it onto depth-less reality like
an unguent cure in this after-night
morning glow pink rising to a
dark purple that settles like a fog on abandoned streets,
instead I get up and walk heavily to the bathroom
to wash my face and hands,
the floor boards creak with each step,
my ceiling fan whines non-stop,
the subway makes its first run, and
I'm alone counting the surges of pain in my knees,
waiting for the next rattle of tracks heading north,
waiting for the sun to rise from the east
and annihilate this perfect thought



Tuesday, June 5, 2012

Eighteen Dollar Gogi Berries

In the conventional living-rooms of hipsters’ America,
concentrated spiritual epiphanies manifest in the hemp satchels
of eighteen dollar Gogi Berries,
while monsoon’s drop down from the Tibetan Plateau,
To wash nothingness over nothingness,
In Phnom Penh.

Lobsters and Hipsters
 
Some male birds sing doggedly to claim territory.
Lobsters monger power pinch by pinch.  Literary
control mongers select ‘works’ from pools of hipsters
who compete by being cool, cooler, or coolest.  At
one point in the continuum, Macramé skills were
the ‘twin of aces’, in the arena of
competitive zeitgeist.

Judy Garland Part Two

When I realized that you were born in Grand Rapids, Minnesota,
which is on the Mississippi, your ability to ‘haunt’ increased by a
factor of twenty-nine.   In our thoughts about legends, the haunting
ratio is mathematical, expressed and measured by various notches
of beauty, including ‘hometown’ and connection to natural lore,
such as proximity to sacred ‘literary’ rivers.

Dan Hedges

Helpless I do not know if good intentions prevail among the elected, among the appointed, leaving me apprehensive that the fate ...